United StatesMark Gunn, Brian Gunn, Richard Outten. Novel: Jules Verne
Andrew Lockington
David Tattersall
Contrafilm, New Line Cinema, Walden Media
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The start of the film is somewhat confusing, as an older Frank Walker (George Clooney; Gravity, Up In The Air) tries to explain what has happened to an unknown audience while constantly being interrupted by a faceless female named Casey Newton ( Britt Robertson, The Longest Ride). Suddenly, we are in a flashback to the NY World's fair where a young Frank tries to show off his jet pack invention that doesn't actually work. However, he does catch the eye of a young girl, Athena (Raffey Cassidy; Dark Shadows), who gives him the tools to transport him to a magical world full of innovation and wonder. Years later, Casey is brought to that same world by a seemingly magical pin and seeks out the elder Frank to get some answers.
The problem with Tomorrowland is that it isn't sure what kind of movie it wants to be. Some scenes are too violent for the typical young Disney audiences, while parts of the plot are too preachy and optimistic for older viewers. This creates a struggle within the film that doesn't really end up working well for anyone. There are some action scenes and electronics that will be attractive to a certain demographic but the "people have destroyed the earth" environmental message and the "Tinkerbell will live only if you believe" mentality will be a turn off to those same people. I also don't really understand why they felt the need to make the Tomorrowland costumes look like they came out of the Emerald City form The Wizard of OZ.
There are a few things I enjoyed about the film and I can honestly say I didn't look at my watch once in the 2 hours, which means the film is interesting enough to keep my attention. There are little "nuggets" and inside jokes for any Disney enthusiast, including Space Mountain in Tomorrowland's silhouette and the Carousel of Innovation (today called the Carousel of Progress) theme song playing in the background of the World's fair scene. The "Hoverrail" – the Monorail of the future – is visually cool, snaking its way through the sky like a giant worm. And, you can certainly bet the newest trading pin at the theme parks will be the big T featured in the film.
Most notable however, is the acting. Clooney, Robertson, and Cassidy are excellent and it is wonderful to watch the younger actors work well side by side with the veteran Clooney. Tim McGraw (The Blind Side) does a good job as Casey's Father and Hugh Laurie (House) is great as Governor Nix, the antagonist who is content to sit back and watch the Earth destroy itself.
Unfortunately, Tomorrowland doesn't have a clear cut evil purpose and it is never quite explained why the "robots" come to earth to try and kill Athena and Casey. Nor is it revealed why Tomorrowland isn't prospering and has fallen into a world of cracked sidewalks and crumbling infrastructure.
In the end, great acting, stunning visuals and some action sequences aren't enough to save a muddy and confusing plot. If you are a Disney fan, go see it for the novelty. Just don't expect too much. Grade: C
MOVIE TRAILER
2019’s Escape Room made waves with its deadly puzzle premise. Evil corporation Minos builds elaborate puzzles, then takes bets from the unseen 1% on who will make it out alive. It’s a bit like Saw, but replace the torture porn with a more suspenseful, intellectual focus on problem solving.
The sequel, Tournament of Champions, sees our two survivors from the first film Zoey and Ben get dragged right back into the games again. This time, everyone in the room has played the game before – and won. But as they all know, only one person can escape again…
Escape Room: Tournament of Champions kicks off with a very explain-y flashback sequence recapping the first film. It’s not exactly an action-packed opening scene, but it does contain plenty of information relevant to this sequel. So, points for not throwing the audience off into the deep end (though no points for execution).
After the slower-moving opening, Tournament of Champions kicks off a fast (at times frenetic) paced story. Much like how our team can’t linger too long in each room or risk sudden death, this movie doesn’t linger in its scenes. Once the action begins, you’re swept along from puzzle to puzzle. Arguably this can have the opposite effect on the suspense the movie wants to achieve. Since you so rarely get a moment to come back down from the previous adrenaline high, the tension doesn’t always feel like it’s escalating like it should. Still, I’ll say this: Tournament of Champions doesn’t really give you the option to feel bored.
In a movie about a series of deadly escape rooms, you want to know one key thing: How are the puzzles?
Well, they’re… alright.
The set design is definitely interesting here. The puzzle rooms include an actual subway car, an artsy-looking bank with vaulted ceilings, a cheesy beachscape, a mockup NYC street, and more. And of course, those all come paired off with some kind of deadly threat: electric shock, skin-slicing lasers, quicksand, and even acid rain.
They’re fun to look at, for sure. Each commits to the theme. I did find it strange that as they progressed, the rooms didn’t get harder though. The bank room, for instance, required way more steps and problem solving than the beach that follows it. At the end of the day, while the threat of danger appeared in each scene, I’m left wondering… were these challenges hard enough?
Probably where the film suffers the most is at its most basic premise: that this set of puzzles makes up the “tournament of champions.” Technically, this is true; Each unwitting player in this game previously fought and solved their way out of a deadly sequence of puzzles. They are by definition the “champions.”
But the movie never quite makes you feel like they are.
I guess the group overall is better at figuring their way out of the rooms than, say, people who have never done an escape room before. (They don’t all die immediately, basically.) But when you call an event a “tournament of champions”… Well, I expect to be impressed by what those champions can do.
What you want to see in this kind of movie is the captives outsmart their captors. You want to think the worst is going to happen because you – as the audience – can’t figure out how to solve the problem, only for one of the protagonists to come up with the way out at the last second. Escape Room: Tournament of Champions just never really makes that happen. I never had a big, “Oh!” moment of excited realization as a character connected the dots to make a difficult solve right before the clock ran out. Put simply, these characters are smart enough to solve puzzles and not die immediately, but not smart enough to fulfill that impressive “champion” role we were promised. The sequel promised raised stakes, but never really delivers.
Escape Room: Tournament of Champions premieres in theaters July 16.